TT: I'd suggested we stop talking about chess.
EB: yeah, you're right.
TT: When it comes to strategy, or visualization of a result, or even just knowing what it is that's going on, like a crystal clear picture of it all.
TT: I've offered to play the game for you if you want, but you've said you don't have time to wait.
TT: I thought you didn't want to draw any conclusions about it until you actually got to play it?
EB: yes.
EB: you see, the thing with chess is, we can't know for sure what happens after the roll.
EB: we might not even know if we won!
TT: That's because you still don't know what "safe" means.
TT: In the early days of the resistance movement they both opposed her more indirectly, through their art, like critics of tyrannical governments often used to.
TT: They had to be careful. Didn't want to make big waves too early.
TT: My bro did this too with his many fine films.
TT: Practically everything was a symbol for something. Either in mockery of the batterwitch, or conveying some hidden message to its audience. Each film was always critically acclaimed for its giverness and genius.
TT: But he also warned his audience that revealing too much about the hidden messages would lead to spoilers.
TT: We could go on a tangent about that for a while, but the point is I'm afraid I must now refer to as "ironically" the way he viewed the world.